Il Manifesto
Africans can draw uninformed conclusions about what’s going on in their own backyards and on the continent.
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Sean Henry Jacobs is publisher of Africa is a Country and on the tenured faculty of The New School. He edits the substack, Eleven Named People.
Africans can draw uninformed conclusions about what’s going on in their own backyards and on the continent.
I participated in Sight & Sound’s once-a-decade poll of the greatest films of all time. I included at least two African films: “Borom Sarrett” and “Mapantsula.” Hopefully, they make the cut.
Yannick Létourneau talks about the genesis of his film about the Senegelese rapper, Awadi. Also, why so many political musicians come from West Africa.
Revisionism pervades popular culture in South Africa now, coloring our perception of the past.
A recurring theme in director Akin Omotoso’s films is the fraught postapartheid relationship between Nigerian migrants and their South African hosts.
Learning that Radio Freedom, the exiled ANC’s radio service, broadcast in Afrikaans, further undermines the idea of the language as belonging to the oppressor.
The DJ’s, Venus X and Boima, talk about their approach to music, but also about their run-ins with tastemaker Diplo, who has shaped popular music tastes globally.
We don’t know why the South African photographer decided to apply to become “coloured” under Apartheid’s racial classification laws.
Images of Ethiopia by Indian photographer Mahesh Shantaram