We thought it would be nice to compile a Bonus Music Break centered on acoustic guitar music. First up is Toronto-based Ghanaian Kae Sun with “Lion on a Leash”:

Another Ghanaian: Kesse (made his breakthrough on Ghana’s version of American Idol) was profiled by The Fader last year:

Then there’s German-Nigerian Ayo:

And video of a 23 minute live set by Asa, France-based Nigerian (credits: “Fire on the Mountain,” “Mr Jailer,”), recorded in San Francisco:

http://www.youtube.com/watch?v=II668alI00g

Bez, the young Nigerian (remember him?) will be in New York City next week (Society HAE has the details)

You can’t say acoustic guitar music and not include Michael Kiwanuka, Ugandan-born British crooner. He is a big part of our regular Twitter #musicbreaks.

Stateside, there’s Cody ChesnuT. (BTW, while below he slows things down, I’ve seen him crank it up with The Legendary Roots Crew):

http://www.youtube.com/watch?v=PTuj3jYehtE

And Gary Clarke Jnr with a stripped down version of my favorite tunes (remember him?)

Further Reading

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.

From Nkrumah to neoliberalism

On the podcast, we explore: How did Ghana go from Nkrumah’s radical vision to neoliberal entrenchment? Gyekye Tanoh unpacks the forces behind its political stability, deepening inequality, and the fractures shaping its future.

The Visa farce

The South African government’s rush to clear visa applications has led to mass rejections, bureaucratic chaos, and an overloaded appeals system—leaving thousands in limbo.