Just like in a science fiction movie
Black South Africans’ concurrent lives of dread and poverty contradicted the commercialism and profits that went with 2010 World Cup.
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Sean Henry Jacobs is publisher of Africa is a Country and on the tenured faculty of The New School. He edits the substack, Eleven Named People.
Black South Africans’ concurrent lives of dread and poverty contradicted the commercialism and profits that went with 2010 World Cup.
No surprise that the dead Angolan rebel leader, Jonas Savimbi, is a video game character; in life he was a media mastermind.
Art South Africa me asked to pick my “Best Six;” basically my “favorite (six) things from the last six months.”
South African jazz singer Sathima Bea Benjamin’s life complicates jazz history and shows how Africans reshaped American jazz in the 20th century.
The fate of the University of the Western Cape, set up for coloureds, radicalized by black consciousness and from where the ANC prepared to govern.
Bonus music break: Abdullah Ibrahim, John Tchicai, Gato Barbieri, Barre Phillips and Makaya Ntshoko performing live on German public television in 1968.
Cedric Nunn’s photography reflects the complex emotions of his black South African subjects, their humanity, dignity, in very personal terms.
Can a rap music video do better than some journalism in showing the real, unvarnished existence of ordinary Nigerians?