arts-culture-media

Culture

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

Writers for a new world

The debacle around Ta-Nehisi Coates' latest book shows us that no matter a writer's individual acclaim, the liberal media establishment will never tolerate anything that fundamentally challenges its racist edifice.

Coming home

In 1991, acclaimed South African artist Helen Sebidi’s artworks were presumed stolen in Sweden. Three decades later, a caretaker at the residential college where they disappeared found them in a ceiling cupboard, still in their original packaging.

Imaginary homelands

A new biography of former apartheid homeland leader Lucas Mangope struggles to do more than arrange the actions of its subject into a neat chronology.

From Naija to Abidjan

One country is Anglophone, and the other is Francophone. Still, there are between 1 to 4 million people of Nigerian descent living in Côte d'Ivoire today.

De Naïja à Abidjan

Un pays est anglophone et l’autre est francophone. Quoi qu'il en soit, entre 1 et 4 millions de personnes d'origine nigériane vivent aujourd'hui en Côte d'Ivoire.

Zau is a mirror

Inspired by a tapestry of Bantu folk stories, the video game 'Tales of Kenzera: Zau' is rich with mythology that many Africans know as our heritage.