The Black Atlantis
The negative effects of tourism, globalization, and commercialization in Zanzibar.
The negative effects of tourism, globalization, and commercialization in Zanzibar.
Yesterday we reluctantly posted on Mindy Budgor, memoirist and professional attention-seeker who’s telling anyone who’ll listen
The genesis of the idea was simple and uncomplicated. I was looking for a recipe online
Even after the Mau Mau case the British will never stop kidding themselves about the crimes of empire.
Nairobi Half Life is a smart, take-no-prisoners action movie that makes us to wrestle with the neoliberal city.
We hardly ever feature Brazilian music, and even less their take on Afrobeat. The above tune by
Elections provide opportunities for national self-examination and renewal, maybe not in Kenya.
The question for Western journalists is this – when it comes to Africa, why do you not tell the whole story of the humanity at work even in times of extreme violence?
The Kenyan people have voted. The Kenyan elections have come and not quite gone. The foreign
Apart from seeing our logo superimposed on a building in downtown Johannesburg, this is a good
Reporting ahead of Kenya’s election by the international media can basically be placed in two general categories: optimism and, of course, no surprise, pessimism.
The diagnostic parameters need to be completely overhauled as they embody a Western mode of understanding which itself is culturally bound.
What is being cultivated at the new frontier of global capitalism—and for whom?
What would happen if you made a film about a key figure in Finnish history and cast Kenyan actors in the lead roles?
Political springs, as in social movements that topple and/or transform political regimes, occur when the youth
Among the most striking portraits in South African photographer and filmmaker Sydelle Willow Smith’s online portfolio
Five filmmaking collectives from the African continent that are reinterpreting and reinvigorating notions of collaboration and distribution.
What's the story with The Very Best's video for the single "Kondaine," where they teamed up with an American NGO and shot it in very rural Kenya.
The limitations of working in the online space, given the small percentages of people with online access (despite the expansion of mobile technology).
Matheka, through his photographs, aims to instil in Kenyans, and eventually all Africans, pride in their cities and pride in their place within them.