Africa is a Country TV is back: We interview Kenyan supergroup Just a Band

Apart from seeing our logo superimposed on a building in downtown Johannesburg, this is a good way to celebrate AIAC TV’s return to Youtube. We (well Dylan Valley) attended STR.CRD in Johannesburg last year. STR.CRD is South Africa’s leading (and maybe only) street culture festival and expo. Dylan sat down with Kenyan “geek afro pop” supergroup Just a Band and chatted to them about playing in South Africa, engaging Kenyan politics (this is quite timely given today’s vote back in their homeland) and their plans for their new album.

http://www.youtube.com/watch?v=MCILm_KsR0w

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.