Africa Is a Country

Colonial Fantasies

Colonial Fantasies

By
Sean Jacobs

Just a sample: A "Heart of Darkness"-themed ship, Tarzan in South Africa and a travelogue on the Congo River.

DeWet Du Toit, the white South African living out a Hollywood-fantasy as a "real-life Tarzan" (Flickr).

The arts and culture site, Blackbookmag.com, reports that two British artists have built a “Heart of Darkness”-themed hotel in the shape of a steamboat on the roof of a Thames River arts center in London. It is named Roi des Belges (King of the Belgians). They charge between 120 and 185 pounds for singles or couples per night to stay in the hotel. “Inside, the cozy paddle steamboat is lined with timber, vintage books, and props that echo details from Conrad’s works, such as maps of Africa.”

Roi des Belges on the Thames.

Two days ago, The Guardian (of all publications) put up a travel piece with this introduction: “I was alone in the middle of deepest, darkest Congo. Worse still, I was being chased by eight angry tribesmen in two dugout canoes – and they were gaining on me.” We figured it must be a joke.

Then there’s DeWet Du Toit, who left South Africa to work as a security guard in Manchester, and returned to George, a coastal town in the Western Cape region of South Africa (where else?), where he lives out his fantasy as ‘the real Tarzan’, complete with promotional video, animals, black helpers and friendly news coverage (he wants to break into Hollywood like Charlize Theron and District 9). It is not the 1950s anywhere.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.