The documentary “Dear Mandela,” about three young leaders of a shack dwellers movement in Durban, South Africa, is finally here. The film will premiere at Durban International Film Festival–the first screening is on the 26th July. According to filmmakers, Dara Kell and Christopher Nizza, the film will also embark on a national tour in South Africa before screenings here in the US. If the short version of the film is anything to go by, it should be good. In that film, one of the youth leaders, Mnikelo Ndabankulu, speaking after a fire that destroyed 200 shacks in his neighborhood, refers to government supporters, says: “They say, ‘Why are these people marching because these times [of oppression] have gone. We are in a democracy. What are they marching for?’ [However] the real motive behind our struggle is this thing [pointing to conditions in his squatter community]. It is not a matter of fame, it is a not a matter of power hunger. It’s not a matter of disrespecting the authorities. It’s being serious about life. This is not life.” Then, channeling Mandela’ single-mindedness before he was sentence to life in prison in 1964, Ndabankulu says: “You don’t need to be old to be wise. That is why we think we need to show our character while we are still young so that when your life ends, it must not be like a small obituary that said, ‘You were born, you ate, you go to school, you died.’ When you are dying you must die with credibility. People must talk about you saying good things, saying you were a man among men, not just an ordinary man.”

More information and future screenings times here.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.