I first saw Kesivan Naidoo play at the Independent Armchair Theater in Observatory. I was living around the corner at the time. He played drums in Tribe, a band fronted by pianist Mark Fransman. Much has changed since then. Naidoo is now sought after and fronts his own bands. These include Babu and Kesivan and the Lights. The video above, from a 2008 performance in Grahamstown in South Africa’s Eastern Cape, shows Kesivan and the Lights taking on “Timelessness,” a composition by the late Bheki Mseleku.

And since it is Sunday, here’s a link to a 15 minute Youtube video of Kesivan and the Lights being joined on stage by trumpeter Feya Faku. BTW, that’s Fransman on the piano.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.