Milking the dream
The 2022 Venice Biennale shows that despite the lack of investment from African nations or the occasional hijacking by mercenary curators, African artists are finding ways to be seen.
3 Articles by:
Delinda Collier
Delinda Collier is associate professor of art history at The School of the Art Institute of Chicago.
The art washing of Sindika Dokolo
The art world largely Isabel dos Santos’s husband despite him being caught up in large scale corruption.
Angola’s Forgotten Massacre
Lara Pawson’s book about the complex and violent events on and after the 27th of May, 1977: the date of a supposed coup d’etat in Luanda, Angola.