Cinematic universality
Fatou Cissé’s directorial debut meditates on the uncertain fate and importance of Malian cinema amidst the growing dismissiveness towards the humanities across the world.
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Amber Bal is a PhD candidate in the department of romance studies at Cornell University.
Fatou Cissé’s directorial debut meditates on the uncertain fate and importance of Malian cinema amidst the growing dismissiveness towards the humanities across the world.
Set in newly independent Mali, ‘Dancing the Twist in Bamako’ is neither propagandistically praiseful of socialism nor does it present it through a wholly negative lens.