African leaders’ tax returns

The Paradise Papers are shedding light on the mechanics of how African leaders hide their incomes.

Image via The Outline

It is common knowledge that many African leaders, like several leaders all over the globe, put in place structures for tax evasion; basically theft. But the Paradise Papers are shedding light on the mechanics of how that actually happens domestically. From Liberia’s outgoing President Ellen Johnson Sirleaf to the head of Nigeria’s senate Bukola Saraki, fishing in Namibia and the important role of the oft-forgotten island of Mauritius in all this.

(2) The Paradise Papers also make a connection between the commodities company Glencore (originally a South African company), a notoriously corrupt Israeli billionaire accused of illegal weapons trading by the UN (and close friend of Congolese President, Joseph Kabila) and mining rights in the DRC.  Keeping an eye on Glencore is important because they have their hands in problematic deals all over the continent. This includes oil rights in Chad, which is looking to end this relationship this week.

(3) Elites in Africa’s youngest country South Sudan exploit the ongoing war there to loot the country’s foreign reserves. A leaked report shows how this happened.

(4) Welcome to Harare R.G. Mugabe International Airport. Our dear leader has had a busy week, as he fired his vice president to pave way for his wife to succeed him. Blessing-Miles Tendi, writing in African Arguments makes the case that Britain, which has subtly showed support for ex-VP Emmerson Mnangawa, betrayed a lack of understanding of Zimbabwe’s political history.  Others argue Mr. Mnangawa was not as shrewd as he appeared to be. Either way, there is evidence of mounting support against our dear leader.

(5) The Ebola pandemic did not stop internal fraud in the Red Cross, which discovered that about US$5 million was stolen via staff (overpriced supplies, salaries for non-existent aid workers and fake customs bills) in collusion with local banks.

 (6) Americans voted last week. Meet the Liberian refugee who was voted Mayor of Helena, Montana last week.

(7)  An investigation in to the alleged Vampire attacks that have surfaced in Malawi.

(8) Your monthly reminder about the pitfalls of the #AfricaRising narrative.

(9) Why is it so hard to get to the truth about violence against protestors in Togo?

(10) Finally, how motorcycles have increased in African streets, and African modern art.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.