Alain Mabanckou’s 2009 novel Black Bazar spoke successfully to and about the African diaspora in France, their daily hustle, fashion, style and language. All through the eyes of the Congolese migrant nicknamed ‘Fessologue’, sapeur and pub philosopher, and arguably the author’s alter ego. As a follow-up to the novel, Mabanckou now has produced an ambitious music album (“trying to change the way in which African music is perceived,” he says) with Congolese musicians Modogo Abarambwa and Sam Tshintu. Other contributing artists come from Cuba, Colombia, Cameroon, the DRC, Congo-Brazzaville and Senegal. The above music video shows us what to expect (and Mabanckou gets his cameo).

Further Reading

Fuel’s errand

When Africa’s richest man announced the construction of the continent’s largest crude oil refinery, many were hopeful. But Aliko Dangote has not saved Nigeria. The Nigerian Scam returns to the Africa Is a Country Podcast to explain why.

Fragile state

Without an immediate change in approach, Somalia will remain a fragmented country populated by self-serving elites seeking foreign patrons.

Coming home

In 1991, acclaimed South African artist Helen Sebidi’s artworks were presumed stolen in Sweden. Three decades later, a caretaker at the residential college where they disappeared found them in a ceiling cupboard, still in their original packaging.

Imaginary homelands

A new biography of former apartheid homeland leader Lucas Mangope struggles to do more than arrange the actions of its subject into a neat chronology.

Business as usual?

This month, Algeria quietly held its second election since Abdelaziz Bouteflika was ousted in 2019. On the podcast, we ask what Abdelmadjid Tebboune’s second term means for the country.