It’s been a long time coming. The case that was opened in 2007 by Bienvenu Mbutu Mondono against the publishers of Hergé’s ‘Tintin in the Congo’ (published in some languages as ‘Tintin in Africa’) finally got its hearing at the Brussels court yesterday. “The problem is not Hergé’s,” Mondono’s lawyer told the press. “The problem is the commercialisation of a comic manifestly spreading ideas that are based on racial superiority.” The publisher’s lawyer warned a ban would be like opening Pandora’s Box. “What with the anti-Semitic passages in Dickens’s work? Mark Twain? The Bible?” It’s unlikely the judge will forbid the future publishing of the comic outright. Settling for a warning (like the English editions carry these days) sounds more probable. After being postponed several times, the case should come to a close later this year. That’s when Spielberg’s Hollywood version of Tintin will hit the theatres here. Timing is everything.

Further Reading

Fuel’s errand

When Africa’s richest man announced the construction of the continent’s largest crude oil refinery, many were hopeful. But Aliko Dangote has not saved Nigeria. The Nigerian Scam returns to the Africa Is a Country Podcast to explain why.

Fragile state

Without an immediate change in approach, Somalia will remain a fragmented country populated by self-serving elites seeking foreign patrons.

Coming home

In 1991, acclaimed South African artist Helen Sebidi’s artworks were presumed stolen in Sweden. Three decades later, a caretaker at the residential college where they disappeared found them in a ceiling cupboard, still in their original packaging.

Imaginary homelands

A new biography of former apartheid homeland leader Lucas Mangope struggles to do more than arrange the actions of its subject into a neat chronology.

Business as usual?

This month, Algeria quietly held its second election since Abdelaziz Bouteflika was ousted in 2019. On the podcast, we ask what Abdelmadjid Tebboune’s second term means for the country.