In Paris the Maison Revue Noire gallery presents a retrospective on the work of photographer Jean Depara. Born in Angola in 1928, Depara moved to Congo at a young age. After living and shooting in Léopoldville/Kinshasa for some years, his work was noted by music star Franco who asked him to become his official photographer. The resulting black and white pictures chronicling the city’s night life in the fifties and sixties, the young Bills, the miziki and the sapeurs are, until this day, unmatched. Depara died in 1997, leaving his archive of hundreds of negatives untitled.

The exhibition runs until 17 December.

Further Reading

Fuel’s errand

When Africa’s richest man announced the construction of the continent’s largest crude oil refinery, many were hopeful. But Aliko Dangote has not saved Nigeria. The Nigerian Scam returns to the Africa Is a Country Podcast to explain why.

Fragile state

Without an immediate change in approach, Somalia will remain a fragmented country populated by self-serving elites seeking foreign patrons.

Coming home

In 1991, acclaimed South African artist Helen Sebidi’s artworks were presumed stolen in Sweden. Three decades later, a caretaker at the residential college where they disappeared found them in a ceiling cupboard, still in their original packaging.

Imaginary homelands

A new biography of former apartheid homeland leader Lucas Mangope struggles to do more than arrange the actions of its subject into a neat chronology.

Business as usual?

This month, Algeria quietly held its second election since Abdelaziz Bouteflika was ousted in 2019. On the podcast, we ask what Abdelmadjid Tebboune’s second term means for the country.