Happy new year

In 2018, we hope to continue translating scholarly debates and high-level political and cultural analyses into accessible language.

Cape Town Carnival

The New Year Carnival in Cape Town. Image credit George Bayliss via Flickr CC BY-NC 2.0.

This was a big one for us here at Africa is a Country. On 22 January 2018, I wrote: “The plan was to come back in the new year with the launch of our a newly designed website. This new site will be the first public manifestation of our partnership with the Jacobin Foundation. We tried to hold back the date we start publishing again until the new site was finished, but some technical glitches with the launch meant that we can’t wait any longer. All things equal, we should have a new website within the next couple of weeks.” It would take another four months when we debuted the new design.

You can go read that post again, here. It stands as a kind of manifesto for how we have approached our work for a while.

The new site finally launched in May. We now had new clothes. In the post announcing the change managing editor, Boima Tucker, and I wrote:

The title of the project, when Sean started it in 2009, signaled our rejection of familiar myths and tropes that continue to frame discourse about the continent. Africa Is a Country wanted to challenge, reclaim and reframe these media images and debates with a powerful, self-confident and unashamedly African perspective. It wanted to also be irreverent and playful. We hope to continue translating scholarly debates and high-level political and cultural analyses into accessible language.

This was also the year when we promoted Oumar Ba, on the faculty of Morehouse College in Atlanta, to the editorial board, and introduced a host of new contributing editors: Anakwa Dwamena, Benjamin Fogel, Samar Al-Bulushi, Lina Benabdullah, Maria Hengeveld, George Kibala Bauer, Sarah El-Shaarawi and Noah Tsika.

Finally, we added one more copy editor, Kangsen Wakai, a Cameroonian writer. He joins Andrea Meeson who has been with us for a while. Together with Boima, and myself, we think we have a good handle on things.

The final word goes to one of our readers, who opined on our Facebook page:

If you want to understand more about world, its cultures and politics, the effect far off places have on you and you on far off places, this is a great source of information. If not, you’re probably not very interesting.

We published a lot of posts this year. To catch up on the big themes, here are the ten most popular posts from a year that featured a World Cup, a worldwide resurgence of White Supremacy and a live action manifestation of Wakanda (our top ten was almost exclusively made up of these three topics so we added just the top post from each):

  1. Fear of a Black France (from our World Cup series)
  2. I have a problem with Black Panther (from our Black Panther series)
  3. Searching for white genocide in South Africa (on worldwide white supremacy)
  4. Sergio Ramos and the Egyptians
  5. When Tiffany Haddish went to Eritrea
  6. Being Coloured and Indian in South Africa after Apartheid
  7. The New South Africa’s original state capture
  8. Dambisa Moyo is wrong about the global economy—here’s why
  9. The Afghanistan-ization of Africa
  10. Sex crimes, evangelism and the collective guilt of American intervention in Africa

Happy new year!

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.