In New York City, Labor Day is associated with the West Indies Carnival. This enormous parade is a magnetic force that attracts, on average, one million spectators every year. It is not a space to talk about labor or exploitation. It is a massive celebration of Caribbean culture and heritage.

The carnival takes place in Crown Heights, East Flatbush, and other surrounding neighborhoods of Prospect Park in Brooklyn, where many West Indian families are resisting gentrification. Mists of smoke grill and the strong aroma of curry surrounds the parade. While people eat, trucks loaded with speakers blast every possible genre of Caribbean music, from reguetón club hits to hip-shaking gospels. This creates an ambiance carnivalesque unrivalled by other festivities in any of the five boroughs of the city.

This carnival used to take place in Harlem––once a beacon of African American culture and African heritage in the US. Harlem lost the permit to host the carnival in 1964 due to disturbances. A fact that is perhaps more telling of the political climate than of what the carnival has represented throughout its history: imagine the plausible occurrence, in the minds of officials, of an energetic celebration of African heritage and miscegenation, joining forces with the then growing protests spurred by the Civil Rights Movement.

But the Carnival resisted, and it moved to Brooklyn. A less known festivity that is paired with the carnival, J’Ouvert (or Jouvay, which is creole for open day) breaks out at midnight with drums playing on Flatbush Avenue and then disperses until the dawn of Labor Day. This festivity is not only of great importance due to its ritual significance, but also because it is celebrating the  emancipation from slavery. The festivity is tied historically to representations of disruption of social norms and the establishment.

While mainstream media tends to focus on episodic gang-related violence surrounding the carnival (especially during Jouvay), this photo essay attempts to portray the many facets of this massive celebration. Cultural pride, diversity, familial and ancestral ties are at the heart of this parade. Not to mention a surge of creativity.

IMG_4152

IMG_4236

IMG_4187

IMG_4305

IMG_4256

IMG_4265

IMG_4335

IMG_4291

IMG_4283

IMG_4316

IMG_4295

IMG_4407

IMG_4401

IMG_4464

IMG_4443

IMG_4377

IMG_4471

IMG_4419

IMG_4457

IMG_4496

IMG_4529

IMG_4517

IMG_4537

IMG_4516

IMG_4531

IMG_4553

IMG_4543

IMG_4559

IMG_4599

Follow Latin America is a Country on Twitter and Facebook.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.