The key figures in Colombia’s Picó sound system culture

The sound system, or Picó culture of the Caribbean coast of Colombia is very close to my heart. Not only is there a strong relationship between it and the popular music of 1970’s and 80’s West and Central Africa, but the propensity towards innovation via digital production (something that I’m near obsessed with as a DJ) is very strong in this part of the world as well. As I’ve highlighted in previous writing, Atlantic costeño audiences and producers will consume and reproduce everything from soca to zouk to mbaqanga to vallenato to salsa to dancehall to soukous to contemporary Nigerian Pop – incorporating their own indigenous African rhythms, language, and cultural understandings into the diverse musical stew. Throw in the Spanglish-patois influence of the Caribbean islands of San Andres and Providencia, and you have the makings for my Black Atlantic musical mecca.

I’ve now taken two pilgrimages to this part of Colombia (while neglecting other, equally fascinating, parts of the country) in order to see, interact, and learn in this environment. Each time I’ve been there I end up lamenting the lack of attention the scenes get outside of Colombia and a small circle of international DJs. Well, Native Instruments – the German music software and hardware company – has taken a step in the right direction by financing the below documentary. Directed by Luis Antonio Delgado, it follows Colombian music producer Mauricio Alvarez around the region as he encounters some of the key players in the Picó scenes of Cartagena and Barranquilla. Check it out below:

cross-posted at Dutty Artz

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.