I remember being awe-struck by a picture I saw in on the Sunday papers somewhere around 2005. The members looked militant in their shades and flowing locks. There was a sense of urgency in the female lead’s look which stuck with me: black shades, black beret, all-black everything! They reminded me of Peter Tosh and the Dashiki Poets at once, with a hint of the Black Panthers Party to smother the masses. They were Kwani Experience, a band which had been bubbling in Johannesburg’s underground music circuit for a hot minute before being picked upon by a record label, releasing two albums, and somewhat disbanding.

Somewhat, because Kwani’s gone through many phases.

While some members have gone on to pursue other interests, there’s still a core connection which bleeds through different their various musical pursuits, be it on vocalist/percussionst Bafana Nhlapho’s two-step cross-continental wails, or multi-instrumentalist Mahlatse Riba’s explorations into the deeper elements of roots sound as one half of the house music project Sai & Ribatone.

Kwelagobe Sekele, Kwani’s emcee who now performs as the P.O. Box Project, has recently released his Maru EP which he refers to as a “digital Kwani sound” in a Mail & Guardian feature tracing the trajectory of the black band over the past decade.

Maru is the culmination of over six years’ worth of stop-and-start recordings, all the while sharpening that very concept. The initial sessions were with Ribatone, but P.O.’s focus shifted onto other projects.

Work continued in 2012, the same year he shot this video for “Moni” which was c0-directed with Justin McGee. Maru is available to stream on bandcamp. I got in touch and asked him to explain the album title’s meaning. This is what he had to say:

“The silver lining. Because clouds are ALWAYS there, even when you don’t notice them, even when they come and go. That’s my presence in this industry, during this 3-year Kwani Experience hiatus. The title is also an indirect homage to Bessie Head who wrote a book by the same title. This is my little 7 chapter book.

*You can purchase Maru on iTunes

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.