We published “Neymar and the Disappearing Donkey” (to coincide with the World Cup in Brazil) on June 17th. The story included a list of race-colors from a 1976 study done in Brazil. On June 22 the big-time news agency AP published a “story” which basically consisted of the list. That story’s been repeated /shared / published / syndicated in a lot of places. Here’s the problem: the AP list is our list: it was originally translated by Lilia Moritz Schwarcz from University of Sao Paulo (who has done lots of work on race in Brazil) and edited by Achal Prabhala (who wrote our piece) and published by AIAC. It’s the same list, down to the last word, including Lilia’s very specific language (‘burro quando foge’ translated as disappearing donkey, for instance) and Achal’s editing–he changed some of the original entries for brevity and clarity. So it’s interesting the AP’s editors think they can turn an AIAC essay into an “original” AP article without any attribution whatsoever. We’re just a small website that runs on zero money, and we guess AP thinks it’s fine to take our stuff. Though, of course, it’s not at all fine if you take their stuff (reference: Shepard Fairey).

UPDATE: The AP, after a silence of a few days, published an apology at the top of the “story.” Basically, they just can’t acknowledge that they took the post from us. The apology reads: “These English translations were published by the website Africa Is A Country, which says the translations were by Lilia Moritz Schwarcz of the University of Sao Paulo and edited by Achal Prabhala.” So we said, not it is the case. The AP knows what’s up, so we’ll leave it there.  

* Image Credit: Screengrab from CBF video of Neymar after he was injured. That’s what we feel like right now.

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.