Africa Is a Country

Boss Player

Africa Is a Country Podcast
African Five-a-Side Podcast

Boss Player

By
Sean Henry Jacobs

The Newscaster Komla Dumor loved sports, basketball (he had skills), and, above all, the beautiful game. He especially loved his Ghana's Black Stars.

Ghana v England in a friendly match at Wembley Stadium in London, 2011. Image credit Akira Suemori for FIA Foundation via Flickr (CC).

The BBC news presenter Komla Dumor, who passed away this weekend from cardiac arrest, was an exceptional broadcaster; read Nigerian writer Chimamanda Adichie’s obit here. Everyone loved him. He was probably the most stylish newscaster, and he was well on his way to becoming the first globally recognized superstar news presenter originating from the continent. Dumor took journalism seriously. Just watch his last big interview where he took on Rwanda’s Ambassador to the UK about that country’s habit of murdering opposition figures.

Dumor, known as the Boss Player, also loved sports, especially basketball (he had skills), and, above all, the beautiful game. He especially loved his Ghana Black Stars.

For example, during the 2010 World Cup in South Africa, he ripped his shirt open in Superman style to reveal his true identity.

Or last November, when he celebrated Ghana’s qualification for Brazil 2014 by donning a lekarapa. And he seemed genuinely happy—like a fan—around footballers, like when he met Victor Moses (Liverpool and Nigeria) or thanked Sulley Muntari (AC Milan and Ghana) for gifting a signed shirt for his (Komla’s) son.

But it’s this video, in which Peter Okwoche, the BBC Focus on Africa sports presenter, challenges Komla to a game of keepie-uppie—that’s my favorite memory of the Boss Player.

 

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.