10 new music videos from Zimbabwe, Lesotho, Kenya, Mali, Burundi (via Belgium), South Africa and Nigeria (via the US and the UK) to get your weekend started. But first up, from Senegal, Daara J Family have a new video out, directed by Lionel Mandeix and Loïc Hoquet. N’Dongo D and Faada Freddy, from Dakar, still bringing it after all those years:

“THIS VIDEO IS SOOOO AMAZING IT HAS A JAMAICAN VYBE PLUS DANCING N FLAVOR I GOTTA LUV MY NAIJA PPL DEM TUN UP LOUD BUSS TWO BLOODCLAAT BLANK FI DIS!!!” And that was just one of the first YouTube comments under this new Burna Boy jam, ‘Yawa Dey’, directed by Peter Clarence:

Here’s another Nigerian jam, by Omawumi and Remy Kayz:

More Pan-African styling courtesy of Nde Seleke in ‘Pelo Ea Ka’. Lesotho house music as good as it gets:

Kenyan director Wanuri Kahui shot this video for South African rapper Tumi — is this the new Pan-African aesthetic?

Compare the above to what Zimbabwean hip-hop artist Orthodox is doing in Bulawayo…

…or what Nigerian-American Kev is doing in Queens, New York (he is part of the Dutty Artz’ L’Afrique Est Un Pays project — check the EP we shared yesterday):

In Kenya, Muthoni the Drummer Queen has released an unusually dark video:

Meanwhile, in Belgium, Burundi-born (but claiming Rwanda as his original home) Soul T knows his Soul classics; this is a first single off his EP Ife’s Daughter:

And now for something completely else, to end, ‘Ay Hôra’ is a great new tune by Malian singer Sidi Touré and band (throwing a good party too):

Further Reading

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.