Africa Is a Country

On the Journalistic Value of Internet Map Memes

Africa Is a Country Podcast
African Five-a-Side Podcast

On the Journalistic Value of Internet Map Memes

By
Africa is a Country

At the Washington Post, the Art of Cartography attained such Perfection that the Map of a complex issue, when color-coded in a way that reassured Americans of their innate Superiority over inferior Peoples, could always be relied upon to get way more Hits than any actual Reporting.

Before long, the Washington Post announced that it had abandoned Journalism forever. The following Generations, who liked Reporting but were not so fond of the Study of Supremacist Cartography as their Forebears had been, saw that these Maps were Useless, and not without some Pitilessness was it, that they delivered them up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of those Maps, inhabited by Animals and Beggars; in all the Land there is no other Relic of the Discipline of The Cartography of Bullshit.

* With sincere apologies to Jorge Luis Borges.

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.