These are the days

These are the days when corporate America can tell U.S. workers to stop complaining. They too would be part of the 1% if only they lived in Haiti, or Kenya or Uganda.

Photo: Lubo Minar.

These are the days when a white man with a gun needs a license to shoot a deer but not to hunt a black teen through the streets of suburbia, or to kill a young black man for listening to loud music;

When police deputies are licensed to shoot a black man for committing the crime of retrieving cigarettes from his car outside his home in the middle of the night;

These are the days when corporations are people and people are commodities to be sold and outsourced in the open markets;

When the banks that build homes in quick sand get bailed out as the people sink deeper and deeper into joblessness, homelessness and debt;

These are the days when corporate America can tell American workers to stop complaining because they too would be part of the 1 percent if only they lived in Haiti, or Kenya or Uganda;

When on reality television undercover bosses in blue-collar overalls get to mime workers for a day, but workers never get to be the bosses for life;

Dyana Wing So.

These are the days when the revolutions we sprung eat their young in Egypt and Libya, and Obama keeps his cool but drones on about Pakistan where he kills Pakistani children to keep ours safe;

These are the days when the United States has to reassure Russia that it will not torture or kill US citizens seeking asylum in the Kremlin yet Guantanamo Bay remains open for business;

When we are told that truth can become a terrorist bomb in our midst and whistle blowers are enemies of the state;

These are the days when immigrants are enemies at the gate, the days of a black president whose smile is a façade, behind it hope for the powerful and wealthy and hopelessness and spare change for the poor;

These are the days of welcome to a post-racial transparent America unleashed. Please Watch your Step!

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.