Electrique DJs, Fena Gitu and Jaaz Odongo have the perfect Summer tune for you. Technically, we’ll have to call it “Kenyan” house music:

Another great video by director Nicky Campos, this time for South Africans Cassper Nyovest and OkMalumkoolKat:

“9 quatrains to paint a reality,” Enyam Scandalocks calls it. The reality he describes is Lomé’s. Koreg on drums, Elias Damawu on trumpet:

Australian Summer looks in Remi Kolawole’s “Sangria” (via pop Radio Afro Australia):

Noah Kin — remember him — from Finland:

I loved the short profile on Congolese artists Jupiter & Okwess International the BBC did a while ago:

Kitu Sewer and Frank ‘Mteule’ analyze the state of the Kenyan nation in “Wanasiasa”…

London based duo Native Sun went to Mexico:

Old Money’s mind is in Mexico too, it seems. From the Dutty Artz stable:

And everybody has seen or heard P-Square’s “Personally” by now, yes?

Further Reading

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.