My Favorite Photographs N°17: Thina Zibi

Thina Zibi demonstrates with her images the incredible innovation evident in contemporary South African design and style.

Image by Thina Zibi.

The “My favorite photographs” series is back with South African photographer/art director Thina Zibi. Born in Cape Town and now residing in Johannesburg, Thina Zibi is at the vanguard of visual artists documenting creative youth culture in urban South Africa. She demonstrates with her images the incredible innovation evident in contemporary South African design and style. With ownership of their identities, Zibi’s subjects exude a genuine sense of style, not fashion, for the unique sartorial amalgamations of those depicted are the fibers that fashion inspirations are woven from.

The people surrounding Zibi move her to shoot. In her own words, “I am always inspired by people. Their sense of style, their faces, how they carry themselves as well as the moments between them.” Zibi prefers to capture her subjects unaware, documenting them in the elegant poses of their subconscious. She finds them more comfortable when they radiate their natural disposition, uninhibited by the transformative effect of the camera lens. This approach, she explains, “has taught me to be more aware of my surroundings, to be on the lookout for interesting subjects and to always be ready when an opportunity presents itself.”

Of the images presented here, Zibi says, “The selected images are not necessarily my favorite, but rather they are ones that still intrigue me every time I look at them. They all illustrate individuals I have come across who fascinate me.”

“This was probably one of the first pictures I have ever taken. Two men having a conversation on one of the streets of Cape Town CBD (Central Business District) on a quiet Sunday. I still wonder what their topic was.”

“I am moved every time I see these next two images. I have heard so many horror stories about the streets of Johannesburg, but the picture of this man and the three women in their church gear remind me how calm the city can still be.”

Thina_Zibi_3

“The following image is of a young poet known as King Nova. An individual character with an incredible mind.”

zibi4

Bongeziwe Mabandla is one of those South African artists who remind the world of South Africa’s musical heritage. He is an amazing fusion of the old and new..”

 

More of Thina Zibi’s photographs can be seen at thinazibi.tumblr.com

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.