The Revolution Won’t Be Televised is Rama Thiaw’s (born in Mauritania, grew up between Senegal and France) second long-feature film. She documents one year in the life of Thiat and Kilifeu, members of the Senegalese Keur Gui band who went on to organize the ‘Y’en a Marre’ movement. This will probably not be the last documentary on the collective:

http://vimeo.com/58118187

(Related: ‘Y’en a Marre’ doesn’t have an English Wikipedia entry, so Ethan Zuckerman created one.)

Further South, Cape Town Hip-Hop (is it a movement?) gets portrayed in Die Hip in Kaapse Hop (“The Hip in Cape Hop”), featuring familiar and less familiar artists such as Dplanet, Rattex –that’s his tune “Welcome to Khayelitsha” in the trailer below–, Emile YX, Codax, Brazuka, graffiti artist Falko, Shameela ShamRock, Driemanskap, Ready D, Rezzano, Azuhl, and Bliksemstraal. Produced by MCL Pictures and LS Design Lab:

http://www.youtube.com/watch?v=gt-eYeoVvrA

On December 17, 1962, Mamadou Dia, President of the Senegalese Council of Ministers, was arrested and given a life sentence, accused of organizing a coup d’état by his friend and companion Leopold Sedar Senghor. He would be imprisoned with four of his closest ministers. Among them, Joseph Mbaye, Minister of Rural Economy, uncle of Ousmane William Mbaye, who made a documentary about what happened in the run-up to that day:

Les Rêves Meurtris (“Shattered dreams”) is a short film by Hady Diawara, dedicated to Yaguine Koïta and Fodé Tounkara, the two young men from Guinée-Conakry who froze to death as stowaways on a flight to Belgium back in 1999:

http://www.youtube.com/watch?v=bFlOS7aL4u0

Une Si Belle Inquiétude (“Such a beautiful restlessness”) is a 12-minutes short by Brahim Fritah, in which he looks back on his travelings between France and Morocco through the use of some of the (archival) photos made along the way:

Bonus: you can watch the film in full over at French news website Mediapart.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.