The New York Times, in its infinite wisdom (it comes with being The New York Times), decided that one of the paper’s reporters, one Brooks Barnes, should write what amounts to a fluff piece (it’s not actual reporting) splintered with quotes in the “Fashion & Style” section about actor Ben Affleck’s supposed maturity and all-round goodness. Affleck, who we like to refer to as Life President of the Democratic Republic of Congo, is held up as “Hollywood’s New Role Model” and as the “new Hollywood paradigm for masculinity.” His qualifications are being a husband, parent, and, yes … “eastern Congo philanthropist.” So the DRC is a prop for “the way to be cool now” in Hollywood. I know someone’s going to tell me this is all good fun. Thank you Brooks Barnes. Link.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.