Africa Is a Country

Weekend Music Break, N°33

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break, N°33

By
Tom Devriendt

Let’s start with two club tracks. It’s Friday after all. Above is a collaboration between Boddhi Satva (from the Central African Republic) and Oumou Sangaré (from Mali) who together recorded this video in Bamako. You could dance to it. And a re-edit of the video for London trio LV’s (with help from South African Okmalumkoolkat) ‘Boomslang’ track: 

The next video for Fore’s ‘C’est pas bon’ tune blends echoes from Zimbabwe (which Fore calls home), Mali (sample by Amadou and Mariam) and Nigeria (where Andrew Dosunmu is from; the visuals for the video are lifted from Dosunmu’s 2011 film Restless City).

Here’s German producer Mark Ernestus remixing Malian Ben Zabo (you know we’re fans of his work):

‘Voir sombrer ses fils’ is a collaboration between Burkinabé rapper Art Melody (who’s dropping a fantastic new record next month; we’ll remind you about it when it’s out), Joey Le Soldat and DJ Form. Akwaaba has the details.

This video was recorded in Port Elizabeth, South Africa and produced in Sweden. Marksmen’s EP is following soon. “Port Elizabeth Rap in outer space”:

A new film to watch out for is “La Cité Rose” (here’s the trailer; French release is scheduled for next month). The film’s soundtrack includes contributions by French artists Soprano, Sexion d’Assaut and Youssoupha. Here’s a first out-take:

Lesotho-based emcees Isosceles and Futuristic join forces as Olive Branch. ‘Stat Quo’ (video below) is a track off their project by the same name, available here.

A new video for Ghanaian hip-hop artist M.anifest (who you now also know as a football fan):

And finally, here’s a record to look forward to: Dan Auerbach (of Black Keys fame) produced Niger-born Bombino’s second international solo record (to be released on Nonesuch Records soon). The teaser, to say the least, sounds promising…

…if you like guitar sounds, of course. Dan Auerbach is a busy man, it seems, having also produced Valerie June’s upcoming record. But more about her in another post.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.