Friday/Weekend Bonus Music Breaks got side-tracked a bit lately because of the Afcon fever. Good times were had by all. Let’s pick up the thread though. Here are 10 music videos you might have missed over the past weeks. Burkina-American Ismael Sankara (remember Mikko’s write-up about Ismael’s surname and possible affiliations) released a new video: above. Tyler the Creator-Yonkers-style, Elom 20nce’s masks imagery, swag lyrics, stir, et voilà. Neat beats. More diaspora music:

Nina Miskina (who was part of the Brussels-based Congolese Héritage project) seems to have put her theatre acting on the back burner to focus on her musical career. Here’s a first video for ‘Un verre de plus’, taken from her debut EP:

Another Belgian-Congolese artist is Coely. When footballer-and-aspiring-record-label-manager Vincent Kompany says we should like her, we’ll like her:

There’s a high-profile (and heavily sponsored) electronic music festival happening in Cape Town, South Africa this weekend. Surprised not to find good old synth-duo Tannhäuser Gate on the bill:

Originally from Bangui, Central African Republic, Idylle Mamba now lives and works in Cameroon. This new video blends all kinds of styles:

Also repping Cameroon (via the Netherlands) is Ntjam Rosie. From the video below, it looks like she’s taking a break from her previous “soul jazz” work:

More funky rock courtesy of the Senegalese Daara J Family (they’ve been around for a while), vintage dancing and ‘celebrating’:

This acoustic session by Gasandji and her band made me sit up:

Cuban jazz pianist Omar Sosa has a new record out. He presented and talked about it at WNYC radio studios recently: a tribute to Miles Davis’s Kind of Blue, while channelling the “Eggun” spirits:

And finally, this portrait by Vincent Moon of muezzin Saeed Rifai Ali Khaled in Cairo. Watch it:

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.