Wayne Rooney and a rhinoceros

The ultimate preview of the 2013 Afcon Final: Will it be Stephen Keshi's time or can the Burkinabé shock the world in Soweto?

Outside Soccer City, site of the 2013 Afcon final (Image by Matthew Perkins, via Flickr CC).

Nineteen years ago, a Super Eagles team captained by one Stephen Okechukwu Keshi won the Africa Cup of Nations in Tunis. Will it be Keshi’s time again in Soweto today? We leave the serious predictions to the professionals. Check out the latest from BBC reporter Peter Okwoche (we love him) who staged a pre-final prediction match between a bunch of kids. The video is cute, but we’re suspicious that  Team Nigeria seemed to get all the bigger kids. Where was the Sowetan Burkinabés version of Dagano? Anyway, the game ended with an assured 3-1 victory for Nigeria, but then what would you expect from a game set up by a reporter named Okwoche? Watch it here.

Others aren’t so sure about the Super Eagles chances. Top football analyst Michael Cox has detailed tactical analysis (well worth reading to get a sense of where today’s game will be won and lost) of both teams’ semi-final victories, Burkina’s over Ghana and Nigeria’s over Mali. Cox likes Nigeria, but on the strength of what he saw in the semis, he reckons Burkina may be the better side: “if they play with the same level of cohesion and fluidity [as they did vs Ghana], Burkina Faso will defeat Nigeria on Sunday evening.”

Cox reserves his strongest praise for Aristide Bancé, one of this blog’s favorite players at Afcon:

This was as good a centre-forward display as you’ll see in international football. Bancé was involved in everything – he sprinted in behind for chances on the counter, he had a header saved on the goal-line from a corner, he could drop deep and encourage the wide players beyond him. He even showed great defensive ability – at one point rushing back to stop a Ghana counter-attack himself, when most other forwards would have left that to the midfielders.

So look out for Burkina, and watch out for Bancé.

We’re just hearing Emmanuel Emenike won’t start the final, a big blow for the Nigerians. That man has been playing like he’s a cross between Wayne Rooney and a rhinoceros. Still, the Nigerians are confident. Is anyone surprised? Like this fan observed by Jonathan Wilson, the British football journalist: “Just seen a Nigeria fan wearing a loaf on his head, bearing the message ‘Eat them like bread’.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.