We should start numbering these bonus music breaks. First up, above, from Kenya: the Large Gang, who claim to be “a lifestyle,” or at least more than a music group. Also from Nairobi (H/T “urban soul” blog GetMziki), the Grandpa Records family (basically a group of artists that are signed to the label) doesn’t take itself too seriously. Refreshing:

Coupé-décalé from Côte d’Ivoire in front of a green screen with beats by DJ Arafat (check the hilarious virtual guitar halfway into the video):

http://www.youtube.com/watch?v=7UjGb1th2EU

A new and dreamy video for Ghanaian singer Efya:

You’re familiar with Mensa by now, so you know what to expect. File under Good Music (seriously) / Humor / No Further Comment:

According to South African rapper Jack Parow, Afrikaans (the language) is Dead.

But that’s of course not quite what he means, if you listen closely to the lyrics. Another Afrikaans rapper, also from Cape Town, is HemelBesem. Not sure what’s up with the Tennessee reference at the start here:

Switching gears: South London rapper Corynne Elliott aka Speech Debelle’s living for the message:

I’ve been listening to Salif Keita’s excellent new record this week. It’s produced by Philippe Cohen Solal (from Argentinian Gotan Project). Here they talk a bit about the recording (also introducing Esperanza Spalding) — the recurring song in the background is stand-out track ‘C’est Bon, C’est Bon’, a collaboration with Roots Manuva:

And finally, Seu Jorge has uploaded to his YouTube channel the complete concert he gave a year ago at the Quinta Da Boa Vista park in Rio de Janeiro at the occasion of the Dia da Consciência Negra. It was a star-studded affair (what a band!). Here’s Seu Jorge jamming with Caetano Veloso:

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.