Africa Is a Country

Summer in Paris

Summer in Paris

By
Hinda Talhaoui

In what may be the last in a while of my posts highlighting the latest in French music culture, here's a list of tunes for the northern summer.

Screenshot of Atheena in her and Kamelac's music video for "Pas Besoin."

What’s good in Paris this summer? The city’s airwaves of course. And it being France’s capital and its largest metropolis, the country’s most talented musicians congregate there. First up, representing the city’s music is Kamelanc’ (born in Oujda, Morocco) and Atheena (representing Senegal) with ‘Pas besoin‘:

Then Orelsan (born in Alençon). ‘La terre est ronde‘:

Kayna Samet’s (born in Nice) comes with her ‘Ghetto Tale Remix‘ feat. Youssoupha (born in Kinshasa, DRC), Médine (representing Algeria) and Leck (Mokobé’s protegé).

Alonzo (government name Kassim Djae, and originally from the Comoros Islands off Africa in the Indian Ocean, but who grew up in Marseille, Paris’s southern rival, brings ‘Avoir une fille‘:

Princess Sarah, from Avignon (with a Lebanese father and French mother) prefers autumn over summer.

Collectif Métissé’s (just above, many nationalities here but based in Bordeaux) brings us the heavily Caribbean influenced summer tune “Z dance” (I wouldn’t mind if we forgot about the song by autumn).

M.A.S (né Malik, representing Morocco) riffs off Lil Wayne and Bruno Mars’ ‘Mirror’ in his ‘Des regrets.’

Kenza Farah’s (born in Béjaïa, Algeria) presents “Quelque part.”

Tal (representing Yemen and Israel) featuring Mokobé (representing Mali) on ‘Je prend le large.’

Finally, there’s Matt Houston (born in Sainte-Anne, Guadeloupe) collaborating with Nigerian superstar duo P-Square.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.