Letter to the Republic

The duplicity of France's ruling classes preoccupy most of this week's entry - number 10 - of Paris Is a Comment.

A banlieue in Lyon, France (Dierk Schaefer, via Flickr CC).

Less than two months before France’s presidential elections, Kerry James’ “Letter to the Republic” couldn’t come more timely. And, no surprise that it blew up. Kerry’s parents are from Haiti who first migrated to Guadeloupe from where they moved to Paris. He grew up in one of the many working-class, high rise “suburbs” or banlieue close to Orly Airport. Kerry has some thoughts on France’s history of racism, colonization, and the African diaspora. Sample lyrics (translated):

To all those racists with hypocritical tolerance
Who built their nation on blood
Now set themselves up as givers of lessons
Looters of wealth, killers of Africans
Colonizers, torturers of Algerians
This colonial past is yours
It is you who have chosen to link your story to ours
And now you have to assume
The smell of blood pursues you, even if you perfume yourself
We, the Arabs and the blacks, we are not here by chance

I believe that France has never given charity
Immigrants are just cheap labor
Keep your republican illusion to yourself
From gentle France scorned by African immigration
Ask the Senegalese tirailleurs and harkis
Who took advantage of whom?

And that’s just the first verse. Similar to Kery James, Nakk Mendosa, of Cameroonian descent, wonders what it means to be ‘black’ and ‘Arab’ in France.

There’s also a new video for Isleym’s “Risques et périls.”

French-Senegalese Disiz La Peste returns to the stage after a three year break with ‘Le poids d’un gravillon.’

Finally, this video for Tahra Sana’s ‘Molotov Land‘ becomes interesting halfway through.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.