Five for the weekend. I haven’t done this in a while. First up Philadelphians Chill Moody (rapper) and Cody Kahmar with the music video for “My Eyes”:
Malfred‘s reggae homage to Tanzanian mothers, “Asante Mama”:
Staying in East Africa, here’s new music from Uganda’s Maurice Kirya:
The Mexican-Ethiopian rapper Gonjasufi‘s video for “The Blame”:
And finally, any week of music breaks I’m involved in won’t be complete without some Nigerian-American pop:
From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.
Long seen as a neutral player in global affairs, Zambia’s foreign policy is shifting under new pressures—from Western donors, Chinese investment, and its own strategic ambitions.
Anti-queer laws in Africa are often framed as cultural defense—but their roots lie in colonial legacies, religious nationalism, and global reactionary alliances.
At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.
Despite decades of donor funding, the push for women in politics in Nigeria often sidelines real change in favor of workshops, buzzwords, and photo ops—leaving power structures intact.
What will we eat in the future—and who gets to decide? From lab-grown meat to agroecology, the politics of food in Africa are being shaped by tech dreams, corporate agendas, and grassroots resistance.
Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.
A new book issues both an indictment of South Africa’s failed transition and a call to rebuild the left through climate justice, solidarity economies, and radical humanism.
The last great Fang bard, Eyí Moan Ndong fused myth, music, and sci-fi to create epic performances that defy Western categories—and demand global recognition.
El último gran bardo Fang, Eyí Moan Ndong, fusionó el mito, la música y la ciencia ficción para crear actuaciones épicas que desafían las categorías occidentales y exigen reconocimiento mundial.
Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.
More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.
Trump’s trade war is framed as a battle with China—but its fallout is exposing just how little power African economies have in a rigged global system.
In a hauntingly sincere recollection of her childhood and evolution into the ‘Most Dangerous woman in Africa,’ Andrée Blouin reintroduces herself while taking readers alongside an intimate ‘Africa Tour.’
Javier Milei rose to power promising freedom—but his government is unleashing economic violence, criminalizing dissent, and testing the limits of Argentina’s democracy.
A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.
In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.
In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?
A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.
The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.