Africa Is a Country

Music Break. Mufasa

Music Break. Mufasa

By
Boima Tucker

Somali-Canadian R&B Singer A’maal Nuux wants to be Mufasa.  The description of the song on Youtube says, “This song touches on the devastation and upheavals afflicting Somalia… offers a message of hope calling on the people that a devastated nation can actually rise from the ashes of war!” A little Somali pride in your radio R&B. I can’t be mad.  I appreciate that more and more artists aspiring to the mainstream in the Americas are able to foreground their African heritage. Not too long ago it would have been a detriment. And although not necessarily a direct reference to the Lion King, just like the American President she flips the stereotype. Nice one!

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.