The 28th edition of the African Cup of Nations kicks off in Gabon and Equitorial Guinea tomorrow. 16 teams–including the joint hosts who did not have to qualify–will play for 2 places in the final match scheduled on February 12. The big question is, of course, who will take the trophy.

Well, based on the objective measure of FIFA’s latest World Rankings, the top two African countries are: Cote D’Ivoire (ranked 18th in the world) and Ghana (ranked 26th). Either of these two should be favorites to win the tournament. The next two African teams on the rankings, Algeria (32th) and Egypt (36th), did not qualify for the tournament. Senegal, the fifth highest ranked African team in the world at number 43, did qualify and is the favorite of most fans, some English football writers (who like Newcastle) and a bit (for sentimental reasons) on this blog. We predict that the player of the tournament could be Ivorian Yaya Toure. (Our predictions come with a health warning though.)

I’m still trying to figure out how to watch it. American sports channels have never showed the finals live. I’ll probably buy some package online, like I’ve done with the last tournament played in Angola.

Not everyone is looking forward to the tournament of course. Jonathan Wilson in The Guardian asked whether African football is progressing. He concludes no, though he never really tells us why. (Read it for yourself.)

Anyway, back to festivities. VOA’s Sonny Young writes on his blog that a few artists have made tournament specific songs and music videos to go with it. Including Jon Loo K of Gabon’s “Africa Shootez Ballon” and Togolese duo Toofan’s “Africa Hooyee,” which we agree could be the musical hit of the tournament:

Of course The Elephants will have the last word. Tom pointed me to this song in honor of les Eléphants by Le Magnific.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.