The 28th edition of the African Cup of Nations kicks off in Gabon and Equitorial Guinea tomorrow. 16 teams–including the joint hosts who did not have to qualify–will play for 2 places in the final match scheduled on February 12. The big question is, of course, who will take the trophy.

Well, based on the objective measure of FIFA’s latest World Rankings, the top two African countries are: Cote D’Ivoire (ranked 18th in the world) and Ghana (ranked 26th). Either of these two should be favorites to win the tournament. The next two African teams on the rankings, Algeria (32th) and Egypt (36th), did not qualify for the tournament. Senegal, the fifth highest ranked African team in the world at number 43, did qualify and is the favorite of most fans, some English football writers (who like Newcastle) and a bit (for sentimental reasons) on this blog. We predict that the player of the tournament could be Ivorian Yaya Toure. (Our predictions come with a health warning though.)

I’m still trying to figure out how to watch it. American sports channels have never showed the finals live. I’ll probably buy some package online, like I’ve done with the last tournament played in Angola.

Not everyone is looking forward to the tournament of course. Jonathan Wilson in The Guardian asked whether African football is progressing. He concludes no, though he never really tells us why. (Read it for yourself.)

Anyway, back to festivities. VOA’s Sonny Young writes on his blog that a few artists have made tournament specific songs and music videos to go with it. Including Jon Loo K of Gabon’s “Africa Shootez Ballon” and Togolese duo Toofan’s “Africa Hooyee,” which we agree could be the musical hit of the tournament:

Of course The Elephants will have the last word. Tom pointed me to this song in honor of les Eléphants by Le Magnific.

Further Reading

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.

From Nkrumah to neoliberalism

On the podcast, we explore: How did Ghana go from Nkrumah’s radical vision to neoliberal entrenchment? Gyekye Tanoh unpacks the forces behind its political stability, deepening inequality, and the fractures shaping its future.

The Visa farce

The South African government’s rush to clear visa applications has led to mass rejections, bureaucratic chaos, and an overloaded appeals system—leaving thousands in limbo.