For all the huffing and puffing in the West about the DRC’s cooked elections — President Joseph Kabila “polled” 49% and the Electoral Commission, stacked with Kabila cronies, “gave” opposition candidate Etienne Tshisekedi 32% of the vote — there’s a bottom line for elites. The Financial Times, in an editorial yesterday, gives it to us straight:

Britain funded this charade with £31m, the European Union with €47m, and the UN with $110m. They have all raised concerns. But the international community does not favour Mr Tshisekedi. Instead it is ready to choose the option perceived as safest: supporting the status quo.

Source.

Further Reading

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.