Dosunmu's 'Restless City,' the best African film of 2011?


I finally got to see director Andrew Dosunmu’s debut feature film, “Restless City,” this summer (at the Urban World Film Festival). The story, part American dream narrative, revolves around a young West African immigrant, Djibril, who lives in Harlem, trying to start his record career, while selling CDs and delivering packages and mail on his moped. Djibril (played by Sy Alassane) falls for a beautiful woman, Trini (Nicole Grey), who also happens to be a prostitute. Djibril wants to rescue her from her pimp, with devastating consequences. But that narrative is only part of the story. This film is also about how New York City is framed. This is a beautiful but hard city for the growing African immigrant population who reside in its margins. And the city is a star of the film; whether the small uptown apartments, subway cars, dance clubs, hairdressers, etcetera. The actors speak in Wolof, English, French and Yoruba. The pace is slow but engaging, there’s a certain lyricism to it and it is beautifully shot (that’s the work of director of photography Bradford Young). It is also stylish (the costume designer is Mobolaji Dawodu of The Fader) and it has a soundtrack of Don Cherry‘s jazz. In my book it is probably the best African film this year.

Like his film, Andrew is always on the move.  (Check out his fashion photography for The Fader or his earlier music videos for Janet Jackson or Common or his book about African football). Word is he is already working on his next film: a feature about an immigrant family, titled “Ma’George” and starring Isaac de Bankole and Angelique Kidjo and with Bradford Young as d.p.

* We have some top 10-lists coming next week, but I wanted to get in a word first.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.