Doctor Mac

This is number 4 in the music break series, Paris is a Continent.

A still from the music video for Mac Tyer's "Docteur So."

It’s the return of one of the best R&B artists in French. K-Reen is back with a new track called “Comme avant” (Like Before) featuring rapper Youssoupha.  She’s a veteran of French R&B and rap, having been featured on one of the first compilations of local R&B in the mid-1990s and collaborating with legends like MC Solaar. Youssoupha, whose father is a legendary Congolese rumba musician, Tabu Ley Rochereau, needs no introduction. K-Reen was born in French Guiana.  Their collaboration is another example of how Paris is a place where the black (and Arab) diasporas meet and colleraborate. K-Reen’s album should be out in March 2012.

We’ve featured Nessbeal in this series already. This time, a song from his new album, the song “La Nébuleuse des Aigles” featuring his discovery Isleym (remember her). Nessbeal (government name: Nabil Sahli) and Isleym are both of Moroccan descent.

Somebody new in this column: Mac Tyer.  The video for the track “Docteur So.”  Like most of the musicians in this post and this series, he is from the suburbs of Paris. In his case, Aubervilliers, in the northeastern part of the city. His family migrated to France from its former colony, Cameroon.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.