Paris is a Continent

The first in a series exploring the music of France's capital. Hinda Talhaoui, originally from Paris' suburbs, is our guide.

A still from the music video for "Passeport," a song by Leila.

What do the masses listen to in Paris? I’ve promised to do an occasional round-up of what’s popular on the streets and on phones (and in car stereo systems) of the French capital. Here’s round one. It’s a smooth, R&B ride. It is also a short list.

First up, live footage of Monsieur Nov, the “bald Chinese”: This first album, “Sans dessus de Soul,” is my favorite.

Awa Imani, the daughter of a Guinean singer father and Senegalese dancer mother, has been singing since she was 9.  She was first noticed in 2009 when she performed on the single “Celebration,” with 113 and the actor Jamel Debouzze, and on which she sang the hook.

Isleym in screenshot for the music video for “Ave le Temps.”

Then there’s Isleym, a 16 year old singer discovered (thanks to Nessbeal) for the song “A chaque jour suffit sa peine.”

Now she’s working on her own album. The first song named “Avec le temps.”

Finally, Leila is a is a Canadian singer (like the male crooner Corneille; also big in France). This is the video for her song, “Passeport

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.