Girl Power is big among female West African pop singers.  Or so recent music videos suggest. We’ve featured Goldie Harvey and Lousika (Ghana) here before. Now here’s two more. First up is Ghanaian Efya with “Sexy Sassy Wahala,” from the soundtrack of 10-part Ghanaian movie “Adams Apple“:

Next up is Nigerian singer Zara Gretti:

Related: Jogyo, one half of whom is from Gabon:

Unrelated: The Congolese-American (is there a meme here?) Hugo Million is building a following back in the DRC, while mixing party and political music (not unusual to Congolese artistes, of course). Here, from a few months ago, is “Benga Nzambe,” which takes a political tone and which is appropriate given the volatile climate around elections in the DRC now:

Finally, some French rap “made in Normandy!” HVJ du Coeff & Jeune Karn with “Les égouts de l’underground’:

H/T: Okayafrica, What’s Up Africa, Tom Devriendt

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.