Paris Photo will celebrate its 15th anniversary at the Grand Palais this year. With a “Place of honour for Africa (…) From Bamako to Cape Town.”  This focus on Africa follows focuses on “Germany, the Netherlands, Mexico, Switzerland, Spain, the Nordic Countries, Italy, Japan, the Middle East and central Europe.”

Les Rencontres de Bamako exhibits the work of Abdoulaye Barry (Chad), Mohamed Camara (that’s a photo from his Souvenirs series above), Fatoumata Diabate (Mali), Husain and Hasan Essop and Zanele Muholi (South Africa), Uche Okpa-Iroha (Nigeria), Jehad Nga (Kenya/Libya), Nyani Quarmyne (Ghana), Arturo Bibang (Equatorial Guinea), Baudouin Mouanda (Congo-Brazzaville), Nyaba Ouedraogo and Nestor Da (Burkina Faso). Because there’s only so many African photographers to choose from these days all of them seemingly caught in a perpetual state of “emergence” –even if they’ve been around for years.

Les Rencontres de Bamako runs from 1 November 2011 to 1 January 2012.

Further Reading

Fuel’s errand

When Africa’s richest man announced the construction of the continent’s largest crude oil refinery, many were hopeful. But Aliko Dangote has not saved Nigeria. The Nigerian Scam returns to the Africa Is a Country Podcast to explain why.

Fragile state

Without an immediate change in approach, Somalia will remain a fragmented country populated by self-serving elites seeking foreign patrons.

Coming home

In 1991, acclaimed South African artist Helen Sebidi’s artworks were presumed stolen in Sweden. Three decades later, a caretaker at the residential college where they disappeared found them in a ceiling cupboard, still in their original packaging.

Imaginary homelands

A new biography of former apartheid homeland leader Lucas Mangope struggles to do more than arrange the actions of its subject into a neat chronology.

Business as usual?

This month, Algeria quietly held its second election since Abdelaziz Bouteflika was ousted in 2019. On the podcast, we ask what Abdelmadjid Tebboune’s second term means for the country.