Last week the Congolese film “Viva Riva” won “The Best African Movie“* award at the MTV Movie Awards. That’s the kind of publicity African films can’t buy and should count for something when the film opens in New York City, Los Angeles and Portland (OR) this weekend. (It is calculated that foreign films make up 2% of screens in US cinemas and African films only make up a small percentage of that total.) Set in Kinshasa, “Viva Riva” tells the story of “Riva … a small time operator who has just returned to his hometown of Kinshasa, Congo after a decade away with a major score: a fortune in hijacked gasoline.” Riva is trailed by an Angolan crime lord (whose gasoline he stole) and complicates matters for himself by falling for the girlfriend of a local gangster. This is not high-minded French funded “cinema.” It is a gangster movie. The PR describes the Kinshasa of the film as “… a seductively vibrant, lawless, fuel-starved sprawl of shantytowns, gated villas, bordellos and nightclubs and Riva is its perfect embodiment.” Advance publicity also emphasizes the explicit nudity and violence in “Viva Riva.”

Above is the trailer and here, here, here and here are interviews with the director Djo Tunda Wa Munga. And here and here are early mainstream (US) reviews. And here’s the details on where it is playing in the US. See also the film’s official site.

* The other finalists for the award were “A Screaming Man” (Chad), “Life, Above All” (South Africa) and “Restless City” (Nigeria).

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.