Africa Is a Country

'Real African Music'

'Real African Music'

By
Boima Tucker

Thanks to HavePlentyMusic I saw that big time house producers experimenting with Kuduro for a few years, are perhaps finally ready for Coupe Decale (Click through to listen to the remix). Kind of full circle really, as I really think Bob Sinclair’s and similar productions were a big influence on the sound of Coupe Decale, and the Euro pop surge of Magic System, Jessy Matador, et al to begin with. Boddhi Satva a house producer from Central African Republic is the perfect ambassador to bring it to the scene at large. Watch him shake his Bobaraba in a recent video interview.

Traxsource who is selling a DJ Arafat (Côte d’Ivoire) single as remixed by Boddhi describes it as “real African music.” I’ve noticed that while sites like Traxsource and the house scene in general have managed to support music that helps to redefine notions of what “African music” means, there is a tendency at the same time to hold the music back dealing in descriptions that rely on rehashed stereotypes and notions of authenticity.

Boddhi Satva does more, real Central-African-Belgian-House-Remixing below:

Further Reading

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Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.