Deafening Silence

Why the deafening silence from African artists and musicians following the murder of gay activist David Kato?

David Kato.

This Is Africa points out that musicians are usually the first to speak out on behalf of the underdog. But not if you are lesbian or gay, apparently. Media houses are usually the first to complain when they’re the subject of censorship. Again, with the media it seems freedom of speech is a value that is only sometimes worth protecting. The Ugandan newspapers, “The East African” and “Monitor” have refused to run an advertisement paying tribute to David Kato, Uganda’s first openly gay man and at the head of many of the gay rights struggles there before he was murdered on January 26th, 2011. The ad in The East African and The Monitor was to be paid for by my colleagues at Open Society Institute of Eastern Africa. The publishing houses wanted some of the text “toned down,” which OSIEA refused to do.

Kudos then to British-born R&B singer, Marsha Ambrosius, for her recent video against homophobia.

It tells the story of a black gay couple who are socially shunned, and jointly commit suicide. Congratulations to Ambrosius for speaking out (see the props here from Colorlines).

The messaging, however, is a little clumsy. For one, it did not need the monologue by Ambrosius at the end. The song and the video stand on their own. Neither is the reference by Ambrosius to “alternative lifestyles” helpful. Finally, since the video clearly has a social message, surely it would have been smarter to depict a couple overcoming prejudice rather than succumbing to it in such a stylish manner?

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.