The writer Teju Cole (remember him from the Africa’s World Cup panel at The New School and his excellent, short novella about Lagos, “Every Day for the Thief“) was recently featured in The New York Times’ T Magazine in a short feature on new “first time novelists.”

Teju Cole, 35
‘‘Open City’’ (Random House, $25)
The book: A hypersensitive Nigerian-German psychiatry resident sizes up the emotional cityscape of post-9/11 New York.
The back story: Cole is American by birth but grew up in Nigeria. His first published work — a cartoon — appeared in a magazine in Lagos when he was 15. Since then he’s been a medical student, an art history professor (Netherlandish and African), a photographer, a gardener and a dishwasher. ‘‘I still do a lot of dishwashing,’’ he says. ‘‘But not in an official capacity.’’

“Open City” is also getting a lot of pre-publication high praise.

The writer Colm Toibin is moved:

Open City is a meditation on history and culture, identity and solitude. The soft, exquisite rhythms of its prose, the display of sensibility, the lucid intelligence, make it a novel to savour and treasure.

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.