Unexpected Connections

When you're surprised by the links between Afro-Peruvian roots-electronic music and Kuduro-Kizomba from Angola.

Statue of a young Afro-Peruvian boy outside the Dedalo Art Gallery in Barranco, Lima. Per (Joshua Alan Davis).

Novalema is an Afro-Peruvian roots-electronic crew out of Lima. Not too many people in the U.S. (or on the African continent) are aware of the existence of the African descended cultures on the Pacific coasts of Colombia, Ecuador and Peru, even if there’s a community in the neighborhood. So I was really surprised when I saw Novalima’s song “Machete” on an Angolan chart a couple years back. If you listen close, you can hear some Kuduro-Kizomba type motifs in their style, and it’s not to hard to imagine the crossover potential. As evidenced by my obsession with the Colombia-Africa thing, it’s these types of unexpected connections I really get into.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.