Africa Is a Country

Music Fridays

Africa Is a Country Podcast
African Five-a-Side Podcast

Music Fridays

By
Sean Jacobs

[youtube=http://www.youtube.com/watch?v=6rNE-5WUtSE&w=500&h=307&rel=0]

A good way to tide you over till Sunday’s World Cup final is to listen and dance to good music. Here’s five music videos I have on heavy rotation.  First up, a current personal favorite of mine: the music video for the Ugandan singer, Jaqee’s single “Moonshine” off her new album. The video was filmed in Uganda and Ethiopia.

[youtube=http://www.youtube.com/watch?v=EUIIVmhK1ps&w=500&h=307&rel=0]

2.  A beautiful video for Rwandese-American “New African Soul” singer, Somi’s song “Prayer to the Saint.”  Nice beat. The video was filmed in and around two legendary Harlem venues, The Apollo and The Shrine.  Essence Magazine recently described Somi as “… at the forefront of a new roster of African artists grabbing attention here in America.”  (BTW, is that my man, Stone, clapping away at 0:56?)

[youtube=http://www.youtube.com/watch?v=A86uqiK9alU&w=500&h=307&rel=0]

3. The Nigerian Nigerians P-Square and J Martins with “E No Easy.”  I can dance to this. Now if Nigeria’s football team can play like their musicians perform.

[youtube=http://www.youtube.com/watch?v=OMGd3mAfl-0&w=500&h=307&rel=0]

4. Nas and Damian Marley with “As We Enter.” The video–with its Wu Tang Clan feel, all grimy and dark hoodies–was online a few weeks ago right around the time Nas and Marley’s “Distant Relatives” album was released, but it was pulled from the ‘web. Now it is online again. (These two have been all over the internets promoting the new album and have lots of interesting things to say about Africa’s relation to the Americas. We plan to do a longer post about that in the next few days.)

[youtube=http://www.youtube.com/watch?v=DSopUVEhG8Y&w=500&h=307&rel=0]

5. Finally, after all that exertion slow yourself down with Zap Mama’s “Drifting” (featuring G Love). You need to conserve that energy till Sunday. BTW, how long has she been at it and she still produces good music? Damn.

— Sean Jacobs

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.