Last week I got an email from a reader,  Sojourner Ahebee , 14 years old, originally fron Cote d’Ivoire, now living in the United States. Turns out she’s a big fan of Africa is a Country. That’s a good start. (Sojourner has her own blog, a culture blog for teens of color called Sojo’s Trumpet.) She sent me a poem that she had written for an assignment in a diversity class at her school. The assignment “… was to write a poem addressing the stereotypes I felt overwhelmed by and to counter those perceptions.” I asked her if I could post the poem on our blog.  She obliged.

I’m cool like that, I’m proud like that and I’m African like that.
By Sojourner Ahebee
Not a bloated stomach, not a face encircled by flies, not a beggar’s hand
I am part of a billion people, with a million dances and thousands of tongues
to tell not only stories of tears, to play not only in the mourning band
I have a direct link to the origin of all humanity and shout this fact with my lungs
filled with the sands of the Sahara and the Kalahari.

I’m cool like that, I’m proud like that and I’m African like that.

You place me in your books and newspapers as one mass face
of AIDS and Malaria and T.B. –always the loser of the human race
I am one piece of a mosaic of 53 countries full of resources and grace
I dream, when you come to arm the hungry and take our wealth out of its place
that the Mediterranean and Rea Seas, the Indian and Atlantic Oceans would give chase
to drown your greed and let the waters be its burial place.

I’m cool like that, I’m proud like and I’m African like that.

You dare to rescue Africa with aging rock stars and uninspired actors
with agendas that do not include using us as our own benefactors
Listen to our voices filled with wisdom and experience and not be only our detractors
Listen to Kofi Annan, Nelson Mandela, Wangari Maathai, Wole Soyiknka, Ellen Johnson Sirleaf

Listen to Africa.

Because we’re cool like that, we’re proud like that and we’re part of humanity like that.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.